Screen printing
Ink is pushed through a screen, one for each colour. Solid, opaque colours that stand up well to washing.
- Setup
- Each colour needs a screen: it pays off on medium to large print runs.
- Good for
- Solid-colour logos, print runs from a few dozen pieces upwards.
- Limit
- Not suited to gradients and photos, and it costs more on just a few pieces.
DTG · Direct to Garment
An inkjet printer prints directly onto the garment. No screens, every colour and gradient.
- Setup
- No screens: you only pay for what you print.
- Good for
- Photos and artwork with gradients on cotton, even for a few pieces.
- Limit
- Less effective on polyester; dark garments need a pretreatment.
DTF · Direct to Film
The artwork is printed onto a film with a white base and applied to the garment with a heat press.
- Setup
- No screens: it works even for a few pieces.
- Good for
- Any fabric and colour, complex artwork, orders with several versions.
- Limit
- On large areas it feels like a thin film to the touch.
Sublimation
Heat turns the ink into a gas that enters the polyester fibres: the print becomes part of the fabric.
- Setup
- No screens; it needs a light polyester garment.
- Good for
- Sportswear in white or light polyester, including all-over prints.
- Limit
- It doesn't work on cotton or on dark garments.
Embroidery
The logo is stitched with thread. A raised look, very durable.
- Setup
- The embroidery digitising (stitch file) is done once per logo.
- Good for
- Lettering and compact logos, uniforms, caps, quality garments.
- Limit
- It can't reproduce gradients, photos or very small details.